
Or if not how to explain how much fun, charming new film it has to inform Hanna (Nora Tschirner one that has earned the post of the month Fetish ), releasing charm in his eyes , her hair and thick turtleneck sweaters (thanks Lapore ). I also want a woman like me take Hanna glances while shopping at the market or that sneaks into the kitchen when half discuss with my mother for things in life and love. Let's face it: that only happens in the classic romantic film.
the end, all fiction requirements imposed on the wishes of imperfect reality proposed Pinillos, and not because he has left the backfire, all otherwise. Perhaps the desire to distinguish of the Legion of romantic films that are released each month will take you to disprove their own work impeccable.
I think the best definition of the film is that of Irene Crespo Cinemanía , who noted that the imaginary and sentimental work (in a word, generation) it reflects is that of Erasmus nostalgic mythified so well for fiction Cédric Klapisch. Young almost in his thirties who went from fear it for six months in a European university and associated work - creative, of course - abroad to personal success. An activity which, incidentally, allows them to experience as an extension of his wild past university: meeting new people, casual sex, parties, alcohol and debates until dawn ... A life with a return ticket guaranteed because will always be family, friends and a return to hometown where a lovely girl and talk of old times recent . The Erasmus generation begins to take over and that has to be seen in his films . At the moment the first impressions are favorable.
Bon appétit is an excellent example of that commitment to English cinema filming in English, with international cast and locations. Another good feature film debut at the height of any Western director . Probably the best manners cheesy vaccine for decades has stunted the indigenous film industry.
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