Tornata Avui ja hem. Hem tingut vacances força relaxades join, i have COSIT enough!! Rep a month I've read that havia d'some llibre deixat aparcat. Anir Us enssenyant mica mica which I fet ....
Today we are back now. We had a very relaxing holiday, and I sewed enough! And I have resumed reading a book he had left parked. I will be showing little by little I've done ...
sediment Avui us a photo d'join espardenyes "customitzades"
Today I put a picture of espadrilles "customized"
A FEIA taula camí of running temps per la meva sense ....( Cistella of Labors Planx ...)
A table runner made time for my shopping coleaba ....( work without ironing ...)
I
a mini-tapis of tardor, ara hi Aviat Serem that!
And a mini-tapestry of autumn, and it will be here soon!
And here's the picture that I saw while cousin ...
And here you got the image that I saw while yo cousin ...
And come back tomorrow ..........." St. "...... finished good life ....
And tomorrow ........ ...... return of the good life is within ....
"The four key elements of the relationship? (Nothing personal)
Nothing Personal (2009) - Urszula Antoniak first film - perfectly illustrates the difference between history and story in the cinematic context : history is strictly sequence chronology of events in the film, while the story is the selection, compression or manipulation of history that holds the narrator. The story told Nothing personal is not it quite boring, but it is quite trivial and implausible as a cotidianiza depth and detail. The story, however, provides a point value to the film, introducing a series of contrasts that make it more bearable . This is not an original mix of time, or to juxtapose various viewpoints, rather it is a trifle: separate each block of the story with a title as a chapter, the sequence of which (and without altering the chronological order) lead the viewer to attend the story from a different perspective. A modification that does not radically better than the movie, but it leaves room to judge the events - the relationships in general - from the curious proposed scheme chapters.
The blocks are: loneliness, the end of the relationship, marriage, the beginning of the relationship and (again) alone, something like the elementary particles of any process interpersonal knowledge, and the film shows how, even reversing the arrow of time, the four stages succeed each other in the same order, and without their characteristic landmarks are affected: 1) silence surly, brusque and bad moods and unmotivated that occurred during the late , 2) line and effortless connection, prepare meals and breakfast in bed for marriage, 3) constant sexual desire and uncontrollable thirst for knowledge of others, especially the emotional backpack during the early days, and finally, 4) before any start and after each end, a block of loneliness that pervades everything to the next. Funny how personal Nothing gets put all these times in reverse order without the clashing relationship process or affected in basics. Another thing is the idea that the film starts, the respective positions of radical and Anna (Lotte Verbeek) and Martin (Stephen Rea) are strong enough to make interesting a drama without the need to emphasize both the story. Curious
experiment in history and story that advances the opposite directions one to another without being affected even improved. The same applies to relations: are separate self-sufficient individuals, but we are matched something very different, sometimes complex, sometimes ineffable, sometimes miserable. Contrasts yet are based on the same basic materials: loneliness, initiation, marriage and final. Do not be around a fifth element to be discovered, something of a dark matter that will help us to reinterpret the present chaos? Was not there a more interesting way of turning it into a movie?
A true "Finnegans Wake" of contemporary cinema (Origin) Final
Origin (2010) of Christopher Nolan is a rare film of balls in the right direction , a film that surprises and overwhelms thriller and expectations. A film that seeks to raise the base voltage of reshaping the conventions of a genre , even if it means overdone at times due to excessive doses of transcendence, perhaps dispensable in a film that from the outset, just looking to entertain and dazzle.
James Joyce did with Ulysses (1922) turn the sock of the nineteenth-century novel (anchored for decades in the third person narrator) betting on subjectivism and matching narrative with view . However, not content with being the father of this revolution and wanted to go further: in 1939 published Finnegans Wake, where he carried his love of games words and the narrative subtlety to the very limits of the significance . The novel's title is now synonymous with complex work, the end point of a strange literary career marked by renewal and formal experimentation. It is customary in the art world: when there is an innovation which crystallizes in the audience and its success makes others follow its lead, its creator feels a kind of need to demonstrate that he knows better than anyone the keys to his invention, and launches into a creation that involves one (even two) twist to the use or significance of the new resource, so it is thrown by unknown roads so far that the other has trouble following his wake. Very similar is the case of David W. Griffith : after setting in The Birth of a Nation (1915) a model of cinematic storytelling (nonexistent until then), compiled from contributions from other contemporary filmmakers, suddenly moved with his fifty boxes next film - Intolerance (1916) - causing atrophy of the recently established system .
Nolan burst at the time the billboard with Memento (2000) a curious story about memory that has the distinction of being told backwards, so as to break all the causal links, we can experience the same disorientation that its protagonist. The film succeeded as a thriller as radical and innovative contribution to cinematic storytelling, as it seemed that in his next work - Insomnia (2002) - try to take advantage of the finding, but it crossed staff and critically acclaimed Batman saga ( The Dark Knight (2008) is considered the best movie of the past decade) and seemed that the momentum had been renovating background. As usual, the industry gives creative freedom when it has been demonstrated based solvency blockbusters, and this time it appears that he has finally reached Nolan, who has felt the need - like Joyce and Griffith - to overwhelm fans - Satoshi Kon Paprika in (2006), with which Source many similarities - and imitators - Gaspar Noe and controversy Irreversible (2002) - - with an exercise in virtuosity that, taken out of context, can verge on the grotesque and mannered.
Source is pointed - like style titles Total Recall (1990), The game (1996) or Open Your Eyes (1997) - the game of the veracity of the images , making the audience doubt if they match dream or reality, the more visual you have found the film to mimic the unreliable narrator in literature (the other is the multiple-often exclusive - narrative point of view). Best of all is that, despite the complexity of their arguments, the average viewer is not lost on Nolan's films (another thing is that many details will be overlooked, including those that are directly fault the script) thanks to its clear and direct style. This time it comes to building a world as its own laws, just and necessary for the end of the film is a real spectacle and stories nested assembly . The levels 3, 4 and 5 are not the most suitable, or that are too far-reaching, but the idea of \u200b\u200bmixing as it does, especially present and condense them temporarily, is brilliant and hypnotic, and I find it fascinating .
Finnegans Wake, Intolerance and Source not stand out precisely because of its quality story-indeed, opacity, blending Baroque with prudish moralizing or eccentricity are its keynotes. is clear that other thrillers arguably exceed the Origin , with twists and turns better locked, but it is undeniable that behind Nolan's work, an ambitious project similar to artists like Orson Welles . In that sense Source remain by your contribution narrative. Joyce set out to blow up the axes of the conventional novel and replace them with brand new, Griffith discovered that the cross and the careful collation of four events - culled from world history - can rise to a moral, kind movie "thesis" (rather paternalistic and conservative, on the other side). Nolan, meanwhile, has picked up where he left and Intolerance, instead of deepening the meanings set of alternate mounting itself, explores the possibilities of narrative nested, each contained in another higher forming recursive levels, supported by the film for the spectacular, the action scenes and special effects (the Trinity of the blockbuster movie sucks).
Once the viewer gets to relativize some of the grotesque consequences of certain assumptions plot of Origin (of the chemical and den 'dreamers' is pathetic), can enjoy without complex than it is: a real cool features film, a curious experiment, an unexpected discovery. And beyond a very good time to film, a milestone that should take into account who take the challenge to revolutionize not only a story, but the foundations of cinematic storytelling.
cycle. Generational. Platinum brooch (Toy Story 3) European
Toy Story (1995) was a technological milestone for cinema , an event comparable to jazz singer (1928), What the Wind (1939) or Jurassic Park (1993). Had on their director - John Lasseter now Pixar's creative director and executive Disney - the culmination of a project more than a decade to get rolling the first fully digital animated feature . This information is for the history books because today virtually all digital animated film is (there are notable exceptions, almost all in Japan, Hayao Miyazaki veteran - friend and mentor of Lasseter - or Satoshi Kon ) and the public does not miss the Disney animation artisan alone managed to raise up to an unthinkable formal perfection.
But not only that: Toy story remains a first-rate artistic reference of its kind : was the first milestone in the relentless string of hits that came stringing Pixar since. Like Disney for five decades, Pixar his fifteenth year paving the way for the new children's entertainment, but not at the technical level, but in the artistic, narrative and content . This also will be talking about in the history books of cinema.
Toy story proposed to realize this fantasy that all children have had, when we are not, the toys come alive and live their own adventures. In this sense, argument is not a simple script entreteminiento, but a complex and timeless that goes a long way. Both, which has become a trilogy and, like that of heptalogía Harry Potter will be part of the sensibility of a generation that in ten years will be twenty, one of the models that contrast the cinema of his time as well as the Spielberg-Lucas productions they were for our .
Toy Story 3 (2010) marks the end of the trilogy, and does so at a very high level: a script almost perfect (I'm not clear why Mattel marriage does not end in the trash along with the actors), masterfully developed characters based on usual adult film perfectly adapted to the context (Barbie's boyfriend is by far the best, but bear with the smell of strawberries, or Telefonito confident), fast action, visual and verbal humor, subtle - and not so subtle - hints moviegoers for adults (including a delicate Miyazaki), third flawless final film (from the scene of the leak) and a final scene anthology of formal treatment and ability to fix something in pictures and words as universal as the end of childhood, children need to remain throughout life and the privilege it is to have toys that help us grow.
With this title, Pixar complete the relay in terms of issues and arguments about Disney . Are definitely gone adaptations of classic tales those that are part of our childhood (in fact, the characters the Pixar movies are displacing Disney classics as marketing the new generation called ). Disney developed his own animation film project based on fantasy and adventure in the style of nineteenth-century literature; Pixar now comes to entertain a generation that will grow in a world where information, television and technology childhood shortened alarmingly and it is necessary to establish a very strong base able to withstand whatever comes back .
Toy Story 3 In apart from Lasseter, talents shine like never Andrew Stanton and Pete Docter (story), Randy Newman (soundtrack) or Ralph Eggleston (art direction), people who have managed to renew a genre at a speed and with an enviable strength. recommend it to parents and children for granted, but also to people of all ages to accept and unpretentious children's films also have something to teach. They all guarantee Entretenimento class, but also the possibility to enjoy a touch that Pixar will have to talk at universities in coming years.
Originally, the film was short by technical necessity, in the splendor of the industry became a way to ensure weapons and acquiring prestige and reputation within the guild , always with the aim feature. It was customary that after the consecration of art, criticism recover the first films of a filmmaker and reinterpreted as a nursery themes and style.
Hence, the short ended up making its way into the industry and back in the sixties of the twentieth century (at least in Spain), came the first aid, awards and invitations to festivals . By then, the short - short - it was a film genre in its own right .
Juan Antonio Moreno Rodríguez , regular contributor to the Diario de Alcalá , offers in his book The short film a wide selection of reviews of the latest English films : for every title, together with assessment, include the technical and artistic, its director's filmography and awards received, so that the reader and the hobbyist can orient in a format and conversion booming . The work is completed with a bibliography, a list of festivals, a historical overview and an epilogue by way of balance.
Since the author is linked historically to Festival de Alcalá de Henares not surprising that his view is centered short preparation for the film , or as an expression of a potential film recognized based on national and international awards; rather than on the mutation that has undergone radical (thanks to digital technologies filming, editing and distribution) and have become a laboratory for experimentation narrative and formal . So much so that in future will be more practical books also speak of minimetraje , yet most directly to his middle brother, the short .
short film ultimately is a very useful catalog to dive into the world of English short film that should have at hand when you decide to catch up with gender titles crucial. Or simply as a guide to locate titles in the many digital platforms, which have become de facto in authentic environmental distribution channels.
The famous Japanese bossa ens proposaven here. (Com semper in anàrquic plan ....) meu
The famous Japanese stock market that we proposed here . (As always, I plan ....)
anarchic
A-necesse Bosset feta amb restes to steal. No us hi trenqueu massa chapter that pulls no hi ha cap alike!
A bag-toiletry bag made of fabric remnants. Do not worry, there is no strip alike!
I. .. passat on 14, 43 anys vaig fer ....( no admetré commentators to respect! , O)). Les nostres l'Friends Association, ens varen sorpendre to 'Ana em ia me several regalets. Il.lusió machine!
And ... on October 14, did not admit 43 years ....( comment!, o)). Our friends de l'Association, we sorpendrieron to Ana and me with various gifts. How exciting!
