Toy Story (1995) was a technological milestone for cinema , an event comparable to jazz singer (1928), What the Wind (1939) or Jurassic Park (1993). Had on their director - John Lasseter now Pixar's creative director and executive Disney - the culmination of a project more than a decade to get rolling the first fully digital animated feature . This information is for the history books because today virtually all digital animated film is (there are notable exceptions, almost all in Japan, Hayao Miyazaki veteran - friend and mentor of Lasseter - or Satoshi Kon ) and the public does not miss the Disney animation artisan alone managed to raise up to an unthinkable formal perfection. But not only that: Toy story remains a first-rate artistic reference of its kind : was the first milestone in the relentless string of hits that came stringing Pixar since. Like Disney for five decades, Pixar his fifteenth year paving the way for the new children's entertainment, but not at the technical level, but in the artistic, narrative and content . This also will be talking about in the history books of cinema.
Toy story proposed to realize this fantasy that all children have had, when we are not, the toys come alive and live their own adventures. In this sense, argument is not a simple script entreteminiento, but a complex and timeless that goes a long way. Both, which has become a trilogy and, like that of heptalogía Harry Potter will be part of the sensibility of a generation that in ten years will be twenty, one of the models that contrast the cinema of his time as well as the Spielberg-Lucas productions they were for our .
Toy Story 3 (2010) marks the end of the trilogy, and does so at a very high level: a script almost perfect (I'm not clear why Mattel marriage does not end in the trash along with the actors), masterfully developed characters based on usual adult film perfectly adapted to the context (Barbie's boyfriend is by far the best, but bear with the smell of strawberries, or Telefonito confident), fast action, visual and verbal humor, subtle - and not so subtle - hints moviegoers for adults (including a delicate Miyazaki), third flawless final film (from the scene of the leak) and a final scene anthology of formal treatment and ability to fix something in pictures and words as universal as the end of childhood, children need to remain throughout life and the privilege it is to have toys that help us grow.
With this title, Pixar complete the relay in terms of issues and arguments about Disney . Are definitely gone adaptations of classic tales those that are part of our childhood (in fact, the characters the Pixar movies are displacing Disney classics as marketing the new generation called ). Disney developed his own animation film project based on fantasy and adventure in the style of nineteenth-century literature; Pixar now comes to entertain a generation that will grow in a world where information, television and technology childhood shortened alarmingly and it is necessary to establish a very strong base able to withstand whatever comes back .
Toy Story 3 In apart from Lasseter, talents shine like never Andrew Stanton and Pete Docter (story), Randy Newman (soundtrack) or Ralph Eggleston (art direction), people who have managed to renew a genre at a speed and with an enviable strength. recommend it to parents and children for granted, but also to people of all ages to accept and unpretentious children's films also have something to teach. They all guarantee Entretenimento class, but also the possibility to enjoy a touch that Pixar will have to talk at universities in coming years.
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