Originally, the film was short by technical necessity, in the splendor of the industry became a way to ensure weapons and acquiring prestige and reputation within the guild , always with the aim feature. It was customary that after the consecration of art, criticism recover the first films of a filmmaker and reinterpreted as a nursery themes and style. Hence, the short ended up making its way into the industry and back in the sixties of the twentieth century (at least in Spain), came the first aid, awards and invitations to festivals . By then, the short - short - it was a film genre in its own right .
Juan Antonio Moreno Rodríguez , regular contributor to the Diario de Alcalá , offers in his book The short film a wide selection of reviews of the latest English films : for every title, together with assessment, include the technical and artistic, its director's filmography and awards received, so that the reader and the hobbyist can orient in a format and conversion booming . The work is completed with a bibliography, a list of festivals, a historical overview and an epilogue by way of balance.
Since the author is linked historically to Festival de Alcalá de Henares not surprising that his view is centered short preparation for the film , or as an expression of a potential film recognized based on national and international awards; rather than on the mutation that has undergone radical (thanks to digital technologies filming, editing and distribution) and have become a laboratory for experimentation narrative and formal . So much so that in future will be more practical books also speak of minimetraje , yet most directly to his middle brother, the short .
short film ultimately is a very useful catalog to dive into the world of English short film that should have at hand when you decide to catch up with gender titles crucial. Or simply as a guide to locate titles in the many digital platforms, which have become de facto in authentic environmental distribution channels.
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