Vegetable Masterbation

New Classics Disney (Entangled)

The work done so far John Lasseter Disney to is simply amazing: after the start in animation at Disney own, quit his job to go to work at Industrial Light & Magic, which would end up breaking up Pixar. His work in these studies quickly assumed a threat to the ticket office and the child audience Disney seemed to have secured for life, so in a few years became a strategic partner to finally return to their roots and take over / challenge of a project with obvious signs of exhaustion . One of Lasseter's first decisions as head of Disney studies was to reopen the manual animation division (which previous managers had closed simply because it offered no direct performance at the box office) and produce Princess and the Frog (2009), a new classic about princesses much more attractive and close to the XXI century. Do not stop reading, there's more: Lasseter is now embarked on the integration of the universe with Pixar characters from the classic animated Disney , in synch with a generation of children who are not satisfied with accommodations classic story and demand a lot more movies that take you to see.



Well, apparently not enough semajante makeover: Now the project moves to shift the classic auparon the brand Disney the highest infant gender. Entangled (2010) ( adaptation of the story of Rapunzel Grimm) links directly to the tradition of film versions of literary arguments, but this time properly spent by the Chinese strainer exponential improvement narrative rhythm and updating characters (to which the contribution is not alien demystifying and humorous at the time meant the Shrek saga ). Entangled

not reach the level of narrative sophistication Pixar precisely because their argument is based literary but that does not prevent the screenwriter Dan Fogelman have known him to turn to history, the actors and their different motivations , reaching for some old acquaintances (the horse Maximus is clearly inspired Buck , the fun hack karateka of Home on the Range (2004), the latest release in digital animation is not Disney prelasseter ) and recycling others (especially the "prince") . not lack the usual teaching on life and love, but not lacking in the (now) necessary amount of tension, humor, musical numbers (this time by Alan Menken) and a final really seen height . Glad

and reassures me that the original draft of Disney still alive and has found a worthy successor in Lasseter, a filmmaker capable of taking on a literary basis (which I think should still be there) and know how to combine with the best animation "pixarizada" . I hope that new titles confirm the vast territory open for these New Classics Disney .