How To Tie A Plo Head

Interlude (Pause for holidays)

already said Borges : language is an infinite chain of word combinations. But while the lyrics are finite, there is no limit to the formation of words or sentences. So it is impossible to conceive a number that describes the possible combinations. In the infinite chain, extended sequence, only a small part sense: well-constructed sentences and full meaning. In the boundless command of language, the rational takes an infinitesimal part : axioms, theorems, inference rules, standards of verification.

At the borders of the rational there is a bigger territory they inhabit those sentences where there is no total completeness requiring grammar and semantics: they are not formally correct and devoid of sense, because it tends to go beyond the rational. ambiguous sentences are those that appeal to the instinctive, the paradox, the apparent, the humor, the unexpected . In a word: intensity. is the domain of poetry, still larger than the rational : "He who leads by his face mask" ( Octavio Paz).

remaining chains, forming a universe even more than the other two together, are at the mercy of nonsense, repetition and absurdity . Pending unforeseen perhaps a rational extension of the dowry of meaning - through unspeakable recesses of the human mind - opens the immensity of surrealism , where the art of combination is able to extract (after millions of miles of streams impossible and ridiculous) a spark that seems to meaning: Of, of, of. More, more, more. Ontario. Sacred.

sequences are already stretched to infinity and the map shows the borders. What remains to be done? Know if the rational is the sum of the poetry or surrealism, once reached the limits of the rational, is to invent poetry and surrealism reserve (by the grace of the laws of probability ) as possible field intensity. Response may fall into three domains. Or none.

this summer to reflect on a classic touch I checked just now a year ago Sense and Sensibility (1995) by Ang Lee . I needed all this time to discover what I write about it. I dismissal without my usual visual pills. This year it's up to Delafé and Las Flores Azules (formerly known as Facto Delafé and Las Flores Azules ) and the video for the song Holy Spirit: a perfect example of buenrollismo naïf style Barcelona with some local famosetes faces and a dash of style Institut del Teatre , so dear to these lands. Undoubtedly one of the songs on my summer 2010.



And also this one, formally correct ( Facto still in the group), and it fits perfectly in tone and style of the song ( The Indian ) adrenaline rush guaranteed within :



I want to say goodbye without a pill truly cinematic the minimetraje A shit boyfriend, de Borja Cobeaga , or how men debase us do anything with just muddle through and get what we want and how women (not always, but often) melt when they say what they want to hear, even a blatant lie. funny, intense and universal :



read around us!

Best Friend Sayings For Picnik

I am missing ... Me faltan hours ... Diversions

This summer I'd been proposed to carry out projects of any kind that I have hands. I'm working every day, although I am missing forces, because I'm moving furniture, family arrangements, etc. .... But I was doing, I more or less reaching the milestones that mark I, and later because you enssenyaré, because from now on I only enssenyaré acabades sew them.

This summer I plan to go ahead with several projects of all kinds I have in my hands. And I'm working on it every day, even though I lack many hours as I move furniture, family arrangements, etc .... But I pull, I more or less getting the goals I've checked, and later, as I show you, as from now on I'll show you only those things done.

Mentrestant, I Trobat això avui .... is curiosity, is a gouge perqué molts cops hi I Pensato, perqué in temps of crisi m'estic nostra trobant that social life has passat de fer "is sopars in restaurants, to-be home fer d'amics i / or family, Contributor cadascun the seva part de sopar or dinar. Això és a conveyor menjar SAFAT. Segur in més d'un Fare! Here trobareu hi tota l'informació per a fer-ho.

meantime, I found this .... It's funny because it is an accessory that I have often thought, why in times of crisis, I'm finding that our social life has gone to become restaurant dinners, to be at home with friends and / or family, each contributing their part of the dinner or lunch. This is a carrier of food sources. Sure I'll do more than one! Here you will find helpful Toda la información para hacerlo.

Echo Blower,pb400e-what Wind Power Is It?

The aphelion of Solitude (Villa Amalia)

As one Russian cosmonaut during the Cold War after returning from a spacewalk said he had not seen God, I went to see Villa Amalia (2009) and the fact is that beauty promised critically not appear anywhere . Many beautiful landscapes abound, true, but that beauty molded base and mounting pictures, no nothing. Its director, Benoît Jacquot , is a veteran French filmmaker whose style forged decades ago, in full bloom of auteur, and since then has evolved very little. Jacquot continues to make movies based on frames, Theme acting movements and rhythms between sequences, of which both he , interpreters in interviews and - above all and especially - more classical critics, can extract all the meanings which they , because anything goes in this type Film (also for European critics copyright that exalted).

Villa Amalia is a movie-style that were shot in France in the seventies of the twentieth century, in which we must be very careful, because if the player strikes a match is not only the gestures and actions shown, but the woman is starting important and transcendent. Even if it was then that several scenes meant doing the same otherwise, just as important but radically different. Fortunately, these dense films significance (often given by the critics) no longer abundant, and the fact tripping now and then is like playing a kind of lineup, you get distracted by identifying each significant element and placing it on the site which would accrue in accordance with a criterion for the award of intentions between perverse and complex.



Still, one must admit that Jacquot has hit several things: first, having chosen starring Isabelle Huppert, who is disturbing with that serene and simple beauty that has earned aged 57 , or live juxtaposed assembly that moves the story (no sustained levels and eternal, but inputs and outputs, fragments of shares that last just long enough to capture their functional significance: take a train, get off of it, change clothes, things like that ...). But mostly Italian Mediterranean election as an expression of their flight to places without shades , where the colors are pure and motion asusencia provide the illusion of a simple and happy life . Ann decides to remove her wealthy famous pianist's life when she discovers her husband is cheating, thus initiating a systematic process of simplifying your life: belongings, work, family - her mother, the ultimate goal of their past relationship, dies in full flight it - and friends (except one, who reunited at the most inappropriate). As you move away from its origins, more clinging and protected by Ann feels lonely, until one of his solitary walks finds an abandoned house in an Italian island and decided to settle there ... Temporary? notice that the protagonist, screenwriter, director and Pascal Quignard - author of the novel into - are (naively) believe that this way the pain will go away or be easier to isolate, and that will be moving the description of the process itself . We've seen too many times to brew in another film, at least not enough to portray the way it does Jacquot.

If this development argument does not convince you to go and see, with this text and have all the information you need to know that Villa Amalia is not your movie, unless the scenery alone would offset the remaining disappointing experience.