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contemporary moral tales (Three Colours: White)

Krzysztof Kieslowski managed to become, to the end of his career, the director of reference of European cinema of the nineties . Strengthened its reputation by Decalogue (1989-1990) a television series based on the commandments of Moses, some of whose episodes were able to make the leap to the big screen. The television format (short and intense, fifty minutes), its ability to show certain misery and inconsistencies of our contemporary world - almost always related to ethical dilemmas - and dashes are solidly built, causing each new film by Kieslowski be expected as a deepening revealing of all these issues .

His trilogy Three colors is composed of three films that are headed the French flag colors - Blue (1993), White (1994), Red (1994) - each related symbolizes the value in it: freedom, equality, fraternity respectively. Despite the seemingly secular project, Kieslowski's films is strongly influenced by the subject of God, hence many of their concerns and views coincide. Instead, from the perspective of a spectator not so much a Catholic culture, their stories are fables and small urban organized around a limited distribution, which illustrate behavior reveals paradoxes - generally pessimistic - about the human condition, leading to strange situations, often cruel. In this sense, Kieslowski's films is very close to moral tales and proverbial comedies of Rohmer.



The trilogy was a forerunner of the commercial benefits of shooting films in series and release them in successive years, audience loyalty and raising expectations. White -the second installment - not unlike the style typical of Kieslowski's films, although the narrative pulse varies substantially from the first delivery (starring Juliette Binoche is a disturbing, which makes a small cameo in the second) and even better in the third (played by Irene Jacob, who became hooked after his intense, sensual and very brief appearance in Adiós muchachos (1987), the masterpiece of Louis Malle). clearly dominates every film in color indicating the title, reinforcing the symbolic tone of the narrative, which thanked more specialized critics and viewers into the thick trends.

Centered on the theme of equality, White tells the story of Karol (Zbigniew Zamachowski), a man who, after going bankrupt and being cruelly rejected by his wife - Julie Delpy disturbing - notes how his life is undone by complete. In the subway he meets a man who not only promises to take him back to his native Poland, but a lot of money for killing a stranger. From these two premises, back in Poland, Karol's life will shift completely unexpected.



similar plot development threatens to become a very black history, lacking clear motivations and firm grips the viewer , a little style must kill B. (1975), the best film by José Luis Borau. However, Kieslowski unveiled a dramatic shift to first base humor (black, of course). And in the final third in a second (even third) twist, offers a very different reading of what has already been : In the first case with an accent distinctly romantic, in the second tremendously sad.

Kieslowski's films certainly influenced cinema Europe's most serious during the first half of the nineties, making the director, almost despite himself, in the chronicler of a society adrift in the ethical , facing the loneliness in everyday life and usually embodied by characters to whom the events move to the very limits of social behavior in the middle of crossroads where they must decide on issues that force them to rethink their lives. viewer, meanwhile, can not help be captivated by the skill of director - and his trusty screenwriter Krzysztof Piesiewicz - to establish effective and support originality points for stories that support more later diagnosis complex issues, such as society and the human condition. White is probably the best movie of the trilogy poised ( Blue - a favorite of moviegoers more experienced - I feel too cold and dull, while red is perhaps the most open and direct) perhaps because it presents an argument closer to a reality that majority and double twist. Yet I must say - even though this statement thrown upon me the wrath of his argumentadísima fans - that the moral view of Kieslowsi accuses the passage of time and color trilogy is not quite ignore this fact.

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TV3 Marathon, Terrace stop selling! Marathon TV3 stop sale in Terrace!

As we have been announcing from the Catalan Association of Textile Crafts, which I'm very proud of belonging and of contribute my little grain of sand with it I can not help we have been promoting a series of activities to raise funds for the TV3 Marathon. In addition to workshops which we have been reporting from the Association blog, we will stop selling all kinds of items, the money of which will also in the Marathon. You can find solidarity quilt from which many of you have participated there, including many things to give for Christmas, like pillows, rings, necklaces, bracelets, sewing utensils, portamocadors, keyrings, tea towels and pot holders, Christmas ornaments ..... all beautiful!! Aconsseguir We have more money, so come and see us next Sunday! We will be from 10 am of matí, the Portal de Sant Roc de Terrassa, Rambla Ègara i between Carrer Major. Us hi wait for me!

As we have already been announced, from the Catalan Association of Manualitats TEXTILS, which I am very proud to belong and contribute my little grain of sand with the little that I can help, we have been promoting a series of fundraising activities for TV3 Marathon. addition to the workshops of which I have been given from the blog of the Association , we will stop selling all kinds of articles, whose funds will also go to the Marathon. You will be able to find from our solidarity quilt in which many of you have participated, to many things to give for Christmas, such as pillows, rings, necklaces, bracelets, fashion accessories, portapañuelos, shirts, potholders and kitchen towels, Christmas ornaments .... all beautiful!! We need to get more money, so come see us next Sunday! We will be from 10 o'clock in the morning in the Portal de Sant Roc de Terrassa, between Egara Rambla and Calle Mayor. I hope!

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Because life is just as generous ... (Bon Appétit) Confusing

David Pinillos say what they like, but Bon appétit (2010) is a damn effective sample of what should be an indie romantic comedy . However, in his remarks, riveted his intention to present some real characters, with its ups and downs and contradictions, the opposite of what we see in this genre. Maybe so, but the sound track , scene selection and development with subtle categorically deny this: it is possible that statistically demos with a sequence of events as shown in the film in real life, but it is so unlikely as the letter of any bolero. But that's normal, and it's good to be true in Bon appétit, because it means it's a good romantic comedy .

Or if not how to explain how much fun, charming new film it has to inform Hanna (Nora Tschirner one that has earned the post of the month Fetish ), releasing charm in his eyes , her hair and thick turtleneck sweaters (thanks Lapore ). I also want a woman like me take Hanna glances while shopping at the market or that sneaks into the kitchen when half discuss with my mother for things in life and love. Let's face it: that only happens in the classic romantic film.



the end, all fiction requirements imposed on the wishes of imperfect reality proposed Pinillos, and not because he has left the backfire, all otherwise. Perhaps the desire to distinguish of the Legion of romantic films that are released each month will take you to disprove their own work impeccable.

I think the best definition of the film is that of Irene Crespo Cinemanía , who noted that the imaginary and sentimental work (in a word, generation) it reflects is that of Erasmus nostalgic mythified so well for fiction Cédric Klapisch. Young almost in his thirties who went from fear it for six months in a European university and associated work - creative, of course - abroad to personal success. An activity which, incidentally, allows them to experience as an extension of his wild past university: meeting new people, casual sex, parties, alcohol and debates until dawn ... A life with a return ticket guaranteed because will always be family, friends and a return to hometown where a lovely girl and talk of old times recent . The Erasmus generation begins to take over and that has to be seen in his films . At the moment the first impressions are favorable.

Bon appétit is an excellent example of that commitment to English cinema filming in English, with international cast and locations. Another good feature film debut at the height of any Western director . Probably the best manners cheesy vaccine for decades has stunted the indigenous film industry.